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Modern Medicine and the Ancient Art of Weaving

Weaver Janet Phillips in the UK has been involved in the project to weave shoulder tendon patches. There is a short news item on the BBC website at the moment. http://www.bbc.co.uk/news/health-25573341

“I have been doing ongoing research with this team of scientists from Oxford University for five years now developing an internal woven bandage. It has been fascinating and it is great to see the research come to the point were a bandage has actually been made and is about to be used in surgery. The project with Oxford University has been really interesting. It started when I was still living in Oxfordshire. We started weaving 1 cm square, plain weave pieces on tiny nail tapestry frames. It seemed important then to have finished edges on all four sides. Everything went quiet for three years while the scientist looked at other textile methods of producing the patches, but they finally came back to weaving because the textured surfaces helped the tendon cells to adhere to the fabric better than other textile structures.

We then spent quite a bit of time experimenting with different weaves. Plain, 4/4 twill, Satin and Sateen, Huck Lace and Leno were all tried. It was important that the patch should stretch in all directions. It seems that 4 and 4 twill has won the day. Sett also became an important issue. They ended up buying an 100 dent to the inch reed!

It has been great working with these young, energetic, and dedicated scientist on such an important project. It never ceases to amaze me how dependent all mankind is on weaving.”

Weaving in Wales – Summer school comes to an end….

As we packed up our weaving, tools and looms we paused to give a big THANK YOU to our instructor, Alastair Duncan.  For 7 days he encouraged us as we honed new skills…..
classroom_7

challenged us to push our art…..
classroom_6

help us work through the ‘bumps in the road’ that come with every project…..
classroom_4

and was completely taken aback when he opened our Farewell & Thank You gift…..2_Alastair opening bobbins  3_Alastair holding up bobbins
2 beautiful wood bobbins with brass tips!

The final event of the week is the Gala Dinner where folks ‘clean up pretty darn good’!
dinner_1
Andrew Johnson – 2013 Summer School Coordinator

The Certificates of Achievement and Diploma in Advanced Textile Studies awards are presented.  The purpose of the COA is to preserve and improve craftsmanship in hand-weaving, tapestry weaving, spinning, natural dyeing and synthetic dyeing and to promote education in such craftsmanship.

Certificate of Achievement_2     Certificate of Achievement_1

It was a fabulous ending to a fantastic week spent with phenomenal fiber folks!
(L-R)  Alison Coates, Jane Kirby, Andrea Cross, Alastair Duncan, Chris Cundiff, Elizabeth Hancock, Rita Corbett, Barbara Wright, Heather Dean, Sandra Combes, Sally Bohling.

dinner_2 dinner_3

The next AWSD Summer School will be in 2015 – in the Midlands of England.
I’ve started saving up….

Weaving in Wales – Summer School winds down…..

One of the best things about summer school is the ‘Walk About’ on Saturday afternoon.  This is when we all get a chance to see what everyone else has been doing all week.  It’s always a bit of a scavenger hunt adventure to find them all and this year was no different = 16 courses were held in 6 different buildings spread over the entire campus!  Turkey Red Dying won the prize for most creative dirctions by using ‘Follow the String’ to lead us through a labyrinth of hallways, in and out of the building (due to wet paint!) until we arrived at their location.

We got our classroom cleanup and table displays ready.

10_workstation  classroom_2

Here’s a sampling of the work produced in the Tapestry course woven by
Sally Bohlings    ——     Alison Coates    ——–   Sandra Combes
Sally Bohling  Alison Coates Sandra Combes

Rita Corbett       ————        Andrea Cross
Rita Corbett  Andrea Cross

Elizabeth Hancock     ——–      Barbara Wright
Elizabeth Hancock  Barbara Wright

Here’s a quick tour of some of the other courses…..

Bags_1  Bags from Bits

Breaking rules_1 breaking rules_2  Rule Breaking Weaving

Damask weaving  Pick-up Damask in linen

Designer spinning_1 Designer Spinning

Eco dye_1 Eco Dye_2 Eco Dying

Garments_1 Garments_2 Sewing Handwoven Fabric

Ikat_1 Warp Ikat

string bags_1 string bags_2 String Bags

Turkey red_1 turkey red_2 Turkey Red & All That Madder

Weaving in Wales – Off the floor and onto the bench….

With my landscape finished plus a spacer in place….
1_spacer

Thursday morning I ‘moved up in the world’ —  from sitting on the floor to sitting on the bench = YEA!  This bench is designed so the seat can be moved higher as the weaving moves up the loom.

2_on the bench  3_bench  4_bench

In designing my next project, I wanted to continue working on achieving a sense of depth to the tapestry, plus I added working on being less literal in my interpretation of my starting photograph.

One of my favorite photos is one I took from the castle rooftop of the market square in Norwich England.

5_Norwich rooftops

I love the shapes, lines, and colors but have never succeeded in getting a good starting sketch because there’s so much going on in the photo.  I decided to focus on one set of rooftops, outlining the basic shapes, tracing a cartoon, then transferring those shapes onto the warp yarns.

6_rooftops start  7_rooftops outline  8_marking the warp

I started weaving using a range of colors which really helped me to be less literal and stay focused on the shadows and angles of the roof lines – moving from ‘Norwich rooftops’ to simply ‘Rooftops’.

9_weaving  10_rooftops weaving

Friday…..

11_workstation  12_weaving

And by Saturday morning I was weaving the final section to finish the piece.

13_completed

Rooftops 4″ x 4″

Weaving in Wales – moving into mid week……

The good news….
I’m no longer a beginner tapestry weaver and my instructor challenges me to improve my skills.

The bad news….
I’m no longer a beginner tapestry weaver and my instructor challenges me to improve my skills.

start of day 2  Tuesday I brought my newly finished sample to class.  Alastair’s comments were, “Nice straight selvages and the slits are good (Yea!), but you need to pack it down a bit more.”  (Darn… not done with this yet.)   OK… so I began packing.

Low and behold….. my lovely circle is now a lovely oval…..arg!

1_sample after packing

Alastair’s comment that it took him 7 yrs to perfect doing circles made me feel a lot better and really appreciate the skill necessary to create tapestries with nice round circles in them.  I wove a bit more – making sure I was beating FIRMLY – and drew another circle with the plan of trying it again as the week went on.

The large scaffold frame had been warped.  (Yes… we are talking about a seriously heavy-duty frame that would normally be used in construction!)

5_warping scafold  Since I do not have easy access to work on one of these at home I jumped at the chance to weave on it…..

3_working on scaffold

…which also meant I’d be sitting on the floor for the next few days.

Because the back wall was painted white with a white heating unit… there was no way I would be able to see my white warp yarns against that…..

back wall      ….so I used my raincoat for a backdrop.scaffold

I decided to work on a landscape for my next project because I’ve struggled with getting a sense of depth in my fiber work.  Using one of my photos as my guide, I selected my yarns and began weaving – making sure I was beating FIRMLY as I went.

4_starting idea  5_yarns

  By the end of of the day, this tapestry was solid.

Wednesday, I continued working on the landscape.  One of the techniques tapestry weavers have used for centuries when weaving a large space that’s basically a solid color is to weave a shape rather than simply going straight across.  This breaks the monotony and gives some texture and interest to the weaving.  We had seen this technique used in some of Alastair’s work and I wanted to give it a try.

6_sky plan  7_weaving sky

This involved a lot of weaving….  un-weaving……  weave it again…. un-weave…..
but FINALLY….. by the end of the day after multiple tries…. I got it!!

completed

Landscape 4″ x 5 1/2″

I really like the effect this gives the sky and will definitely be using it in other projects.

Weaving in Wales -The adventure begins…

Arrival at Summer School wearing my 'Surround Sound' vest

Arrival at Summer School wearing my ‘Surround Sound’ vest

On August 1st, I boarded a plane and flew east across the Atlantic for the Association of Guilds of Weavers, Spinners and Dyers biennial summer school being held at University of Wales Trinity St. Davids College in Carmarthen, Wales.  Over 200 fiber loving folks gathered for a week to participate in the 16 course being offered this year in:

Spinning
Spinning Beyond the Basics
Creative Spinning
Short Fibre Spinning

Braiding/Knotting
Australian Aboriginal String Bags
Kumihimo/Marudai Braiding

Dying
Eco Dyeing
Turkey Red/Madder

Sewing
Bags from Bits
Sewing Handwoven Fabric

Weaving
3-End Block Weave
Warp Ikat
Pick-up Damask in Linen
Tapestry
Rule Breaking Weaving
Inkle Weaving
Textiles that Shape Themselves

I arrived Friday evening and wandered about Carmarthen, the oldest town in Wales and legendary birthplace of Merlin, on Saturday and Sunday.

deciphering signage

deciphering signage

enjoying market day

enjoying market day

exploring the castle

exploring the castle

Complete with a rainbow, summer school began Sunday evening as we all gathered to reconnect with friends and meet our instructors.

rainbow

Alastair Duncan

There were 12 of us in the tapestry class taught by Alastair Duncan.  Alastair was born in Scotland, raised in Belfast, Northern Ireland and now lives in Wales.

Classes ran Mon-Sat from 9am-5pm with evening lectures, activities, or continuing to work in our classrooms or taking work back to our dorm rooms.

On Monday we……

discussion

talked about design

warping  frame looms

warped frame looms

weaving exercises

and completed several exercises.

By 10pm I had completed my first project and was ready to call it a day.

3 1/2" x 6"

Project 1 (3 1/2″ x 6″)

Preparing the loom….

I spent this week getting my loom warped and ready for weaving.

I’m using a simple frame loom with nails to hold the warp.

1_tapestry frame loom

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1. The nails are set so I will have 8 warp ends per inch (8 epi)

3_nails top 4_nails base

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2. A support devise holds the heddle bars.  Since the weaving starts at the bottom and moves upward the heddle bar support is only clamped to the frame this way I can move it higher when needed.

5_heddle bar support 6_heddle bar support

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3. Next I looped string around every other warp thread.
Using as second bar I looped the remain warps.

7_string heddles        8_heddles

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4. When the heddle bars are in the neutral position the warp is at rest.

9_heddle rod at rest  

When I raise a bar, the heddles lift every other warp thread creating the ‘shed’.
This way I don’t have to lift each warp individually = weaving is much faster!!!

10_heddle rod raised.  11_heddle rod raised    12_open shed

~~~~~~~~

5. Now let the weaving begin……

13_ready to start weaving