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Cartography Chic

Guilds and associations are great places to connect with other artists, bounce ideas around, get support, feedback, and be challenged to push one’s creativity and art.  My fiber guild is the Ann Arbor Fiberarts Guild and back in May 2014, a challenge was issued for the April 2015 meeting:

Recycled and Repurposed Runway 

Tablecloths, cassette tape, telephone wire, discarded garments, curtains and draperies, old sweaters, cast off jewelry – any and all of these materials might go into a garment or accessory you create for this creative runway show.
Your object of fashion may be wearable and useable…. or not,
sedate or flamboyant…. or something in between,
fashionable…. or not.
The only criteria is it must be made from used materials.
How creative can Guild members be?
We will learn the answer to that on the runway!

I had already woven a garment using audio cassette tape [see July 2013 post “Recycle… Upcycle…. Fairs… and more…..”] which had been part of our annual spring fashion show in 2014 so I wanted to come up with something new.  What to use and what to do?  For the next 9 months ideas simmer in the back of my mind…. and then I cleaned out a cabinet.  There were the National Geographic maps that had been collecting for over 30 years!

Cartography ~ study and practice of making maps
The premise being that by combining science, aesthetics, and technique,
reality can be modeled in ways that communicate spatial information effectively.

I’ve always liked maps.  The lines, shapes, colors can be beautiful works of art.  We even used them to decorate the nursery when the kids were little.  I would weave something out this pile of maps!

nursery map

But what?

In 1999, I attended my first Association of Guilds of Weavers, Spinners and Dyers summer school taking a course on weaving with bulrushes taught by Linda Lemieux. In the USA, bulrushes are a protected plant but in the UK, they can be cultivated and harvested making this was a unique opportunity for me.  We wove braided bands, containers and finished the week with making a hat.

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I would use those same techniques to weave a hat & purse out of maps!  I made samples weaving on the bias and plain weave to see how pliable the map paper was.  It was quickly apparent that the paper on its own was very flimsy and I would have to reinforce it to keep it from tearing and to be firm enough to hold the shape.

Using my notes from a workshop I took in 2000 from Jackie Abrams weaving with painted cotton paper as reference, I used a spray adhesive to attach the map paper to sheets of artist canvas.  I made several more tests cutting the map/canvas strips into 1/2″ and 1/4″ widths and used waxed linen thread when twinning was needed.  This worked much better and I was ready to start!

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I laid out 1/2″ wide map/canvas strips in a plain weave….

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and laid that on the bias over a hard foam hat block to weave the crown using pins and clips to keep it in place.  I stitched the base of the crown to secure the proper diameter.

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I was not able to weave the brim as I had done on the bulrush hat but made it separate and attached it to the crown using hot glue.

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Next I trimmed the spokes, used the spay adhesive to attach a map to the underside of the brim, and machine stitched around the edge.

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Making the purse was MUCH easier!!!  Using 1/2″ map/canvas strips and a styrofoam block for the mold, I wove a 12″ x 5 1/2″ x 1″ clutch bag.

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All the pieces were given a coat of matt varnish to provide added strength and protection.

The Cartography Chic Hat & Purse Set is just the ticket
for any explorer with a flair for fashion!

Winter Blues Jacket revisited

I had a little jacket, it was old as can be…
Tralala lalalala lalala
What I’d ever do with it, I just couldn’t see
Tralala lalalala lalala
So I thought a little while
And made myself a vest in the very latest style
Tralalala lalala – Tralalala lalala
Made a vest in the very latest style.
–from a Yiddish folk song

What does a fiber artist do when she realizes that she has not worn the hand-woven jacket she spent months weaving and constructing?  She turns it into something else.  Or even better… ends up with 2 items of clothing!!

In 2012, I created ‘Rapunzel’s Winter Blues’ jacket

The finished jacket!!

when I took Michelle Moenssen’s workshop “Making a Jacket from Hand-woven Fabric”.  This was fabulous learning experience, as I had never sewn a tailored jacket (i.e. suit coat) before… let alone one from hand-woven fabric.  [click here for the slide show of the full process]

After 2 years… I realize I had not worn the jacket even once.  My life at this point doesn’t need that style of jacket.  But as any fiber artist who makes her/his own cloth for garments knows, one does not just toss away that much ‘time, sweat, and tears’; and though I do sell my woven and felted garments, this one has strong emotional ties for me so it would be like selling one of my children!  So… I began to think what could the jacket transition into that I would be more likely to wear?

I decided that remove the sleeves – transforming it into a vest – would be the simplest as I had no desire at this point to completely deconstruct the jacket.

Winter Blues jacket revisit

Now… what to do with the hand-woven fabric from the sleeves?  Mary Sue Fenner’s ‘One-of-a-Kind Jacket Trunk Show’ at the March 2014 AAFG meeting inspired me to make a second garment using lightweight commercial wool and the hand-woven fabric as accent panels creating this ‘Two for the Price of One’ vest.

2for1 vest   2for1 vest back
(pattern – Simplicity 2341)

I’m happy to say that both vests will be on the runway at AAFG’s Fiber Feast on April 5, 2014.

The song begins with an overcoat becoming a jacket – jacket to vest – vest to tie – tie to button – button to nothing – nothing to song and Simms Talback’s 1999 picture book Joseph Had a Little Overcoat is a Caldecott Metal winner so who knows… over the years to come this hand-woven fabric may continue to be re-imaged and transformed, giving it renewed life and rebirth.  Tralala lalalala lalala…..