change of plan – Weave Story

Doin’ Demos

April 29, 2015/0 Comments/in Interesting stuff /by bschutzgruber

I would not be doing what I do today if it were not for demos.

Yes…. I was the kid mom and dad would lose at places like Greenfield Village – part of the Henry Ford museum complex in Dearborn, Michigan, Historic Mystic Seaport in Connecticut, or any of the Mackinac State Historic Parks at the northern tip of Michigan’s lower peninsula. The 5 of us kids would all be there one minute and the next thing they knew… there were only 4. Luckily, it did not take them long to figure out where to find me = simply backtrack to the last place that had demonstrations and there I would be… still watching….. completely spellbound. At all of these places.. and many more…. I saw weavers, spinners, dyers, blacksmiths, woodworkers, glass blowers, ropemakers, coopers…. all plying their trade for everyone to see. Everyday people actually DOING these crafts with skill and artistry – creating magic right before my eyes and I would lose all track of time… and my family as they moved onto the next thing.

Demonstrations are a fabulous way to connect the general public to skills and crafts that are no longer part of our modern everyday life and I love doing them.

I’ve done them at our guild sales and at fairs. My work as a storyteller, along with my fascination with odd bits of off-beat information, certainly helps.

Showing how things are done….

letting people touch the wool and yarns….

and giving them have a chance to throw the shuttle….

create tactile hands-on experiences that can stay with someone their entire life. Telling the stories of the workers in the mills, how fortunes were made and lost, and where the terms and sayings we use today originated brings dry facts of history to life and connects us to our past. This is where cloth comes from….. this is how it’s made…. and these are people who make it today.

One of the fun things about doing demonstrations is that you never know what may come out of the experience. Because I’m talking with people as I work and need to be able to stop at any given moment to answer a question or give a quick recap, I do not attempt to create anything complex – I just play and try out ideas. This was true at the last AAFG Holiday Sale when I made a hat using silk chiffon fabric covered with layers of merino wool and silk fibers as embellishmentto to demonstrate wet felting. Because this hat can be turned inside out, you get to choose which ‘look’ strikes your fancy = more intense color or muted color.

I was pleased with the experiment and continued playing with the idea in different colors.

Not only can doing demonstrations educate and allow for experimentation, they can be a welcome distraction. For the past 12 years members of the Ann Arbor Fiberarts Guild have been weaving at the University of Michigan Medical Center as a form of entertainment and distraction for patients and family members who are waiting to see the doctor. Currently we are in the lobby of the Cancer Center and the cloth woven is made into hats that are given to patients undergoing chemo and other treatments.

“We are so pleased to have this wonderful skill shared with our patients,
not only for the calming affect it has by sitting and observing the weavers,
but also for the lovely hats made for our patients from the weavings.”

Share….. Educate…… Outreach…… Connect…….
all this and more can be found when doin’ demos!

Critic or Critique?

January 26, 2015/7 Comments/in felt, Interesting stuff, Projects /by bschutzgruber

Critic (noun) a person who expresses an unfavorable opinion of something

For many people, including myself, the idea of having your art judged does not bring happy thoughts to mind and can crush creativity. My elementary school did not have an art teacher. A picture from a magazine would be taped to the chalkboard and we were simply told “Draw this.” The results were always graded using letter grades (A to E) one for content and and one for neatness. My work, if I was lucky, might…. just might…. get C-/D and there were no suggestions to help me improve my work. To this day the thought of drawing something sends me into an anxiety attack.

Critique (noun) a detailed analysis and assessment of something

Getting a thoughtful critique can raise art to new levels, broaden perspective and increase creativity. Last year I worked on large felt wall hanging for the annual Ann Arbor Fiberarts Guild show which runs the month of February in the lobby of the Power Center for the Performing Arts here in Ann Arbor, MI.

View From Above
(28″ x 82″- felted wool fibers)

This was one of the largest felt pieces I’ve ever made and felting it was physically demanding. I was pleased with the design – the mix of colors and line movement. It made a statement, especially from a distance. I believed it was good enough, so fingers crossed….. I submitted it.

It was not selected and in my disappointment I suddenly found myself emotionally back in elementary school. But here is where ‘critique’ turned this experience from the negative ‘critic’ into something positive. The jury committee had made comments. Some were positive (it was felted well and it did catch attention from a distance) PLUS there comments about where it still needed work:
1) there is no real change in value (light/dark) within each of the colors used
2) there was nothing new to discover once you stepped closer

So for the next year I thought about what I could do to embellish this piece yet stay true to my desire to only use felting techniques.

Using a barbed needle to punch fibers into place,

I needle felted silk fibers to give a broader range of color value and bring more interest and details, then I repeated the wet felting to blend everything together.

Top detail – before and after

Bottom detail – before and after

I am happy to say that Coastal Waterways was accepted for this year’s Power Center Show.

Critic or Critique? It’s all in how you say it and where the emphasis is placed.

Coastal Waterways
(26″ x 79″ – felted wool & silk fibers)

When disaster strikes……

October 26, 2014/6 Comments/in Projects, weaving /by bschutzgruber

Every artist knows there are times when a project just does not want to go as planned and this was one of those projects.

In September I started on a commissioned shawl. The warp was 10/2 cotton in 20 colors.

642 yarns threaded in a point twill over 8 shafts/harnesses.

3″ into the weaving and I realized I had a misthread in the pattern = inappropriate expletive uttered!!! What to do?
Do I (A) keep going with the philosophy that we humans are not perfect and embrace my imperfection or (B) correct the mistake = unweave, untie, unthread, rethread, and retie?

If this was something I was making for myself, I would probably go with option (A) as there was only 1 thread in the wrong place. BUT this shawl is something I am selling and the buyer deserves the highest quality work I can give…. so option (B) is it.

I took out the black 5/2 cotton weft and the red header then dealt with 200+ threads and heddles to get the 1 thread moved to the correct shaft, retie and finally back to where I was…. 24 hours earlier.

Weaving now went fairly smoothly…

…until 5″ from the end when I noticed a lot of black fuzz = uh-oh. I took out several rows to see what was going on and I realized the 5/2 cotton yarn was disintegrating = WHAT is going on here???? This particular cone of yarn had been in my stash for quite a while and though the outer section was OK so the first 2/3 of the shawl was fine, the middle of the cone had rotted and the last third of the shawl was falling apart = REALLY inappropriate expletives uttered!!

At this point I had no idea if the fabric was stable and would hold up during washing so I stopped weaving, hemmed it, cut it off the loom and held my breath as I put it in the washing machine.

Here’s how it came out. A misthread is a pain but this is a disaster that cannot be saved.

I emailed my client and explained the situation. Luckily she was OK with getting the shawl by the end of October so back to square one I go. I decided this time I would use 5/2 bamboo for the weft, ordered the NEW yarn, and as I waited for the delivery, I began to wind out another warp. I kept the ends of the old warp threaded through the reed and heddles so all I had to do is tie the new warp onto the old then pull it through.

The second warp wound on and the new weft in hand, time to start weaving…. AGAIN.

This time there was no added drama as 87″ of this new shawl was woven, hemmed, cut off the loom…

…and the finishing work began = tying knots and twisting fringe.

Holding my breath I put it into the washing machine….. and it came out just fine = whew!!

Because one side of the fabric has the colored warp dominant and the other has the black weft dominant I sewed the shawl into a mobius loop so that you can see both sides = SUCCESS!! And the Rainbow Mobius Wrap has been shipped to her new owner.

Lesson learned from this project:
check ALL yarn prior to using it in a project!!!

The Saga of the Green Man (pt2)

February 2, 2014/1 Comment/in Projects, tapestry, weaving /by bschutzgruber

When we last left our hero…. he was awaiting my decision:
Do I chuck all that I’ve done so far… cutting my losses (literally!)
and start over?
Or do I continue on and see what happens?

I am a ‘process’ artist rather than a ‘project’ artist which means I am more interested in the journey than I am in reaching the original destination. So of course…. my decision was to move the cartoon lower, realigning the eyes, and continued on!!

The Green Man’s features were now more square than the original design. The good thing about choosing a Green Man for my first attempt to weave a face is that a Green Man is not “human”. As long as I kept his eyes focused, the rest of his face was open to interpretation. Not wanting to redo the cartoon, I continued to follow the original, trying to keep my beating pressure the same as I had used the year before.

Once his forehead was finished…

I packed down the new weaving to match the new proportions of his lower face.

I was VERY pleased with how he came out but there was still more to do…..

The Saga of the Green Man (pt1)

February 2, 2014/2 Comments/in Projects, tapestry, weaving /by bschutzgruber

Some projects just take time. They are never going to fulfill any need I might have for instant gratification. The Green Man tapestry has been one of those.

I started this project back in August 2012. My goal at the time was to have him completed for the February 2013 Ann Arbor Fiberarts Guild annual wall hangings exhibit at the University of Michigan’s Power Center for the Performing Arts.
Click on the links to read about the process:
designing – preparing the loom – the cartoon – weaving – the face – the eyes – taking longer than anticipated.

By mid January it was clear that I would not be able to have him ready. And so it was…. the Green Man looked on as other projects, deadlines, commissions, and life events took center stage. [see the blog archives] For 9 months he patiently watched and waited.

FINALLY… 1 year after I started him, I was able to once again turn my attention to the Green Man. One of the skills I worked on during the AWSD summer school tapestry course in Carmarthen, Wales [see September 2013 blog postings] was beating/packing down the weaving. Looking at it now, I could see that yup…. my packing was pretty loose so I began to compress.

before

The result = the tapestry was now 3″ shorter!

after

Also at this point I could see that my warp tension was pretty wonky and I would not be able to easily correct this = OOPS!!! I now had major decision to make:
Do I chuck all that I’ve done so far… cutting my losses (literally!) and start over?
Or do I continue on and see what happens?

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