Working on the face…… the nose

Getting the facial features right is what makes or breaks a face!!  

Working on the nose…. is less critial than getting the eyes right but it still took me 2 tries.  I sit about 24″ away from the loom when weaving so I need to step away every now and then to get a different perspective.   After spending several hours weaving the bridge of the nose – when I stepped away…. it was not looking good.  So…. took it all out and do it again…..

Much more pleased with this result.!!

nose

7.5 inches

7.5 inches

7 1/2 inches down…. 17 to go!
Now that the holidays are over need to be weaving everyday!

Weaving the Green Man

Now that the loom is warped and ready to go, the next step is dealing with the cartoon.  (Click on the pictures to enlarge)

A. 3_reference picture      B. 1_GreenMan cartoon
Starting image (A) is lightened or outlined (B) to show general color changes.


2_carton behind warp

That paper is slid behind the warp threads so I can see when to change colors for the weft yarns.


5_weaving

Keeping the starting picture near by for reference is helpful!!

6_3.5%22  3 1/2 inches completed.  It takes a couple of hours to weave 1″.

OLG Festival Exchange bag arrived!!

from Brigitte Liebig

     My Festive Exchange bag arrived today!!
It was made by Brigitte Liebig a weaver from Germany – near the Swiss border.

   The ‘walls’ are woven with cotton warp and handspun linen weft and the towers are woven in a shadow weave pattern to represent the very narrow spiral staircases in three of the towers. She used commercial fabric for the sky (blue) and the bottom/base (brick pattern)

     sides      bottom
Her inspiration came from a visit to Castel de Monte in South Italy. The guidebook suggested taking a photo from the ground of the inner courtyard up to the sky.

Inspiration_2                    Inspiration_1

Preparing the loom….

I spent this week getting my loom warped and ready for weaving.

I’m using a simple frame loom with nails to hold the warp.

1_tapestry frame loom

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1. The nails are set so I will have 8 warp ends per inch (8 epi)

3_nails top 4_nails base

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2. A support devise holds the heddle bars.  Since the weaving starts at the bottom and moves upward the heddle bar support is only clamped to the frame this way I can move it higher when needed.

5_heddle bar support 6_heddle bar support

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3. Next I looped string around every other warp thread.
Using as second bar I looped the remain warps.

7_string heddles        8_heddles

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4. When the heddle bars are in the neutral position the warp is at rest.

9_heddle rod at rest  

When I raise a bar, the heddles lift every other warp thread creating the ‘shed’.
This way I don’t have to lift each warp individually = weaving is much faster!!!

10_heddle rod raised.  11_heddle rod raised    12_open shed

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5. Now let the weaving begin……

13_ready to start weaving

Catching up…..

October was a sad time with the death of my mother-in-law, Gertrude Margaret Marion Gruber (1927-2012).

Marge Gruber

   Marge was gentle spirit and an amazing fiber person – knitting, embroidery, and sewing many of her own outfits as well an amazing Santa suit, plus so many Halloween costumes.

embroidery_1

November was spent on the road with storytelling events and getting ready for the Ann Arbor Fiberarts Guild Holiday sale so again… not much time to be posting.  Here’s a look at the new scarves & purses.  If you’re still looking for that ‘one-of-kind’ gift for the holidays…. let me know!!

Oct ribbon1           blue-red-turquoise

blue-orange       brown-green

 
At the Holiday Sale I had a blast giving a 2 hr felting demo:

felting demo_1felting demo_2
If you have group that might be interested in having me come and talk about felting and fibers…. let me know!!

The final days of November were spent making a small bag for the annual ‘Festive Exchange’ with the OnLine Guild.  This is something fun for our members to be part of, to show off our love of all things fibre, and especially to get to know a few more members of the guild better since we come from all around the world.  This year’s theme is a Bag.

I made a bag for knitter, spinner and dyer (natural dyes) who lives on Prince Edward Island, Canada.

OLG bag front

Since she lives on Prince Edward Island and I’m in Michigan, the water and waves of the Atlantic Ocean and the Great Lakes were my inspiration with different shades of blue and the froth of whitecaps.  The button reminded me of a compass rose from the old nautical charts.

To make the fabric for the bag I wet felted carded wool fibers and used a variety of wool and synthetic fibers as embellishment with wool yarn representing her knitting and spinning and a bit of red to for her dye work. The bag is long enough to hold knitting needles or maybe even a drop spindle.

The bag that is coming to me is being made by a weaver (floor loom & tablet) and Kumihimo braider who lives in Germany near the Swiss border.  I’ve just gotten an email  letting me know that the bag is on it’s way here = I’m excited!!  I’ll post a photo once it arrives.

And now December begins…..

 

 

 

AAFG – Holiday Sale

Working on finishing touches for items to have at the AAFG Holiday Sale THIS Saturday – Nov 10th (10a-4p) at Washtenaw Community College. I’m doing demos = Felting (10-12) and Weaving (12-2).

Getting ready for AAFG’s Holiday Sale

AAFG Holiday Sale is coming up on Nov 10th (10-4 at  Washtenaw Community College) so I’ll be weaving & felting from now until then!  Over the next weeks I’ll be posting some of the items I’ll have at the sale.

This week I’m working on ribbon scarves.

Finishing off some samples

Today’s plan is to do the finishing work on the 2 tapestry samples I wove this spring and summer.  I need to weave in the loose ends on the back….

  

…sew up the slits on the sides of the green pot, cut this one off the loom, then weave in the loose ends on the back.

 

Newest project

My current tapestry project is to weave a ‘Green Man’.  The Green Man is an ancient symbol of nature and is found throughout the world.

  I’m starting with a painting (used with permission) by Andrea Gruber

  I figured out how large I wanted to make it = 17″ x 22″

  With the help of fellow fiber artist – Anne Flora – I dyed the wool I’ll be using for the weaving.