Riverbend – building the studio [part 3]

Putting on the roof… cont.

2 weeks later we were back at Riverbend with a spiffy machine that Terry designed to lift the panels.
1_winch  2_lifting roof panel

This was a LOT easier than hoisting them up the 12 feet using only brute force.  Let’s hear it for machines and the engineers who build them! 

With the porch on, the roof was complete!

7_roof front    

Next came the tar paper
8_laying tarpaper  

but we won’t put the metal roof panels on until warmer weather in the spring so on went another set of tarps for the winter.
9_metal roof panel  10_winter tarp

10_TAG team
I could not have gotten my dream of a studio built without this amazing ‘TAG team’= Terry A Gruber & Tristan A Gruber!!  Well done, Gentlemen!

Riverbend – building the studio [part 2]

The call came in mid October that the studio was ready to be delivered.   With the 25 panels, 4ft x 8ft and weight in at about 120 lbs each, coordinating some extra ‘muscle’ to help was necessary – which meant building on the weekends.   The clock was ticking to get the structure up as quickly as possible because once November hits in Michigan, the weather becomes unpredictable.  It could be warm & sunny…. or warm & rainy…. or cold & sunny….. or cold & snow… you never know!  Our daughter, Andrea, was not available but luckily we were able to enlist our son, Tristan, making this a ‘everyone in the family helped’ project.

Step 3 : The insulation/moisture barrier went down
1_insulation   2_insulation 

then the subfloor.
3_subfloor

Delivery the next morning brought another ‘impressively large’ truck…
4_truck

leaving 4 stacks of panels with directions for ‘some assembly required’.
4_the delivery  5_some assembly required

Step 4: building the walls
Yup… all we needed was a screwdriver & a caulk gun.
6_corner  7_walls  8_walls  9_end of day 1  10_piles
By the end of the day, 1/2 the walls were up and the piles were getting smaller!

The second day of assembly we finished the walls
11_all walls up

and moved on to preparing for the roof panels.
14_roof  13_roof  15_roof

Part 5 : putting on the roof
Using brute force we hoisted the roof panels from the outside and over the wall,
supported them from below, and secure them into place.

16_roof panel  18_end of day 2

The ‘brute force’ part of this was turning out to be way more intense than expected – there had to be an easier way.

So… the third day we built a temporary rafter system and covered with a tarp.
18_rafters  19_tarp  20_end day 3  

Engineers build machines to make work easier… my husband Terry had new puzzle to solve!

Riverbend – rustic beginnings

Working out of my house is a good news/bad news sort of thing.  The good news… I don’t have to pay extra rent for studio space.  The bad news… it’s not always easy to shut out the distractions of everyday life.

(2008)
5 years ago this month, I was able to purchase 5 acres of beautiful undeveloped central Michigan woodland on the Tittabawassee River.  This was my chance to have a place away from distractions – where I could go to be inspired, to rejuvenate and recharge the ‘creative batteries’.

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Now when I say undeveloped…. I mean undeveloped.  Nothing there but the trees, river, wetlands, and all the critters (large & small) that go with it.  My dream of having a ‘retreat from the world studio space’ was not going to happen over night!

Year 1 (2009)
Putting in a 700 ft lane to get from the main road back to the ridge that over looks the river meant crossing the protected wetlands in the middle of the acreage and involved working with the Michigan Department of Environmental Quality.  It took nearly 700 cubic yards of sand and gravel to build up the road and 3 culverts (1 of which is 2ft in diameter!) to keep the natural drainage of the wetlands.
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Year 2 (2010)
I purchased a 1970 Airstream trailer to have a living space that is a step up from rustic tent camping.
airstream2

Years 3 & 4 (2011-2012)
Improved the path down the steep ridge to the river, built a small deck for sitting and dock.

river deck and boardwalk  dock

Year 5 (2013)
Every time I go up to Riverbend I am filled with a sense of peace and tranquility.

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Deer, raccoons, porcupines, garter snakes, geese, grouse, and turkeys are just a few of the critters that stop by on a regular basis.  Staying in the Airstream works OK for kitchen and common space but it’s a pain to keep pulling out the couch for sleeping, there’s no space for a travel loom, and more importantly… the plumbing is shot.  Building a ‘real’ house with electricity, a well, and a septic field is not in my future financially but luckily, I am married to an engineer who is fascinated with the challenge of building a small studio space ‘off the grid and environmentally sound & sustainable’.

And so the next phase of this adventure begins…..

Weaving in Wales – Summer school comes to an end….

As we packed up our weaving, tools and looms we paused to give a big THANK YOU to our instructor, Alastair Duncan.  For 7 days he encouraged us as we honed new skills…..
classroom_7

challenged us to push our art…..
classroom_6

help us work through the ‘bumps in the road’ that come with every project…..
classroom_4

and was completely taken aback when he opened our Farewell & Thank You gift…..2_Alastair opening bobbins  3_Alastair holding up bobbins
2 beautiful wood bobbins with brass tips!

The final event of the week is the Gala Dinner where folks ‘clean up pretty darn good’!
dinner_1
Andrew Johnson – 2013 Summer School Coordinator

The Certificates of Achievement and Diploma in Advanced Textile Studies awards are presented.  The purpose of the COA is to preserve and improve craftsmanship in hand-weaving, tapestry weaving, spinning, natural dyeing and synthetic dyeing and to promote education in such craftsmanship.

Certificate of Achievement_2     Certificate of Achievement_1

It was a fabulous ending to a fantastic week spent with phenomenal fiber folks!
(L-R)  Alison Coates, Jane Kirby, Andrea Cross, Alastair Duncan, Chris Cundiff, Elizabeth Hancock, Rita Corbett, Barbara Wright, Heather Dean, Sandra Combes, Sally Bohling.

dinner_2 dinner_3

The next AWSD Summer School will be in 2015 – in the Midlands of England.
I’ve started saving up….

Weaving in Wales – Summer School winds down…..

One of the best things about summer school is the ‘Walk About’ on Saturday afternoon.  This is when we all get a chance to see what everyone else has been doing all week.  It’s always a bit of a scavenger hunt adventure to find them all and this year was no different = 16 courses were held in 6 different buildings spread over the entire campus!  Turkey Red Dying won the prize for most creative dirctions by using ‘Follow the String’ to lead us through a labyrinth of hallways, in and out of the building (due to wet paint!) until we arrived at their location.

We got our classroom cleanup and table displays ready.

10_workstation  classroom_2

Here’s a sampling of the work produced in the Tapestry course woven by
Sally Bohlings    ——     Alison Coates    ——–   Sandra Combes
Sally Bohling  Alison Coates Sandra Combes

Rita Corbett       ————        Andrea Cross
Rita Corbett  Andrea Cross

Elizabeth Hancock     ——–      Barbara Wright
Elizabeth Hancock  Barbara Wright

Here’s a quick tour of some of the other courses…..

Bags_1  Bags from Bits

Breaking rules_1 breaking rules_2  Rule Breaking Weaving

Damask weaving  Pick-up Damask in linen

Designer spinning_1 Designer Spinning

Eco dye_1 Eco Dye_2 Eco Dying

Garments_1 Garments_2 Sewing Handwoven Fabric

Ikat_1 Warp Ikat

string bags_1 string bags_2 String Bags

Turkey red_1 turkey red_2 Turkey Red & All That Madder

Weaving in Wales – Off the floor and onto the bench….

With my landscape finished plus a spacer in place….
1_spacer

Thursday morning I ‘moved up in the world’ —  from sitting on the floor to sitting on the bench = YEA!  This bench is designed so the seat can be moved higher as the weaving moves up the loom.

2_on the bench  3_bench  4_bench

In designing my next project, I wanted to continue working on achieving a sense of depth to the tapestry, plus I added working on being less literal in my interpretation of my starting photograph.

One of my favorite photos is one I took from the castle rooftop of the market square in Norwich England.

5_Norwich rooftops

I love the shapes, lines, and colors but have never succeeded in getting a good starting sketch because there’s so much going on in the photo.  I decided to focus on one set of rooftops, outlining the basic shapes, tracing a cartoon, then transferring those shapes onto the warp yarns.

6_rooftops start  7_rooftops outline  8_marking the warp

I started weaving using a range of colors which really helped me to be less literal and stay focused on the shadows and angles of the roof lines – moving from ‘Norwich rooftops’ to simply ‘Rooftops’.

9_weaving  10_rooftops weaving

Friday…..

11_workstation  12_weaving

And by Saturday morning I was weaving the final section to finish the piece.

13_completed

Rooftops 4″ x 4″

Weaving in Wales – moving into mid week……

The good news….
I’m no longer a beginner tapestry weaver and my instructor challenges me to improve my skills.

The bad news….
I’m no longer a beginner tapestry weaver and my instructor challenges me to improve my skills.

start of day 2  Tuesday I brought my newly finished sample to class.  Alastair’s comments were, “Nice straight selvages and the slits are good (Yea!), but you need to pack it down a bit more.”  (Darn… not done with this yet.)   OK… so I began packing.

Low and behold….. my lovely circle is now a lovely oval…..arg!

1_sample after packing

Alastair’s comment that it took him 7 yrs to perfect doing circles made me feel a lot better and really appreciate the skill necessary to create tapestries with nice round circles in them.  I wove a bit more – making sure I was beating FIRMLY – and drew another circle with the plan of trying it again as the week went on.

The large scaffold frame had been warped.  (Yes… we are talking about a seriously heavy-duty frame that would normally be used in construction!)

5_warping scafold  Since I do not have easy access to work on one of these at home I jumped at the chance to weave on it…..

3_working on scaffold

…which also meant I’d be sitting on the floor for the next few days.

Because the back wall was painted white with a white heating unit… there was no way I would be able to see my white warp yarns against that…..

back wall      ….so I used my raincoat for a backdrop.scaffold

I decided to work on a landscape for my next project because I’ve struggled with getting a sense of depth in my fiber work.  Using one of my photos as my guide, I selected my yarns and began weaving – making sure I was beating FIRMLY as I went.

4_starting idea  5_yarns

  By the end of of the day, this tapestry was solid.

Wednesday, I continued working on the landscape.  One of the techniques tapestry weavers have used for centuries when weaving a large space that’s basically a solid color is to weave a shape rather than simply going straight across.  This breaks the monotony and gives some texture and interest to the weaving.  We had seen this technique used in some of Alastair’s work and I wanted to give it a try.

6_sky plan  7_weaving sky

This involved a lot of weaving….  un-weaving……  weave it again…. un-weave…..
but FINALLY….. by the end of the day after multiple tries…. I got it!!

completed

Landscape 4″ x 5 1/2″

I really like the effect this gives the sky and will definitely be using it in other projects.

Weaving in Wales -The adventure begins…

Arrival at Summer School wearing my 'Surround Sound' vest

Arrival at Summer School wearing my ‘Surround Sound’ vest

On August 1st, I boarded a plane and flew east across the Atlantic for the Association of Guilds of Weavers, Spinners and Dyers biennial summer school being held at University of Wales Trinity St. Davids College in Carmarthen, Wales.  Over 200 fiber loving folks gathered for a week to participate in the 16 course being offered this year in:

Spinning
Spinning Beyond the Basics
Creative Spinning
Short Fibre Spinning

Braiding/Knotting
Australian Aboriginal String Bags
Kumihimo/Marudai Braiding

Dying
Eco Dyeing
Turkey Red/Madder

Sewing
Bags from Bits
Sewing Handwoven Fabric

Weaving
3-End Block Weave
Warp Ikat
Pick-up Damask in Linen
Tapestry
Rule Breaking Weaving
Inkle Weaving
Textiles that Shape Themselves

I arrived Friday evening and wandered about Carmarthen, the oldest town in Wales and legendary birthplace of Merlin, on Saturday and Sunday.

deciphering signage

deciphering signage

enjoying market day

enjoying market day

exploring the castle

exploring the castle

Complete with a rainbow, summer school began Sunday evening as we all gathered to reconnect with friends and meet our instructors.

rainbow

Alastair Duncan

There were 12 of us in the tapestry class taught by Alastair Duncan.  Alastair was born in Scotland, raised in Belfast, Northern Ireland and now lives in Wales.

Classes ran Mon-Sat from 9am-5pm with evening lectures, activities, or continuing to work in our classrooms or taking work back to our dorm rooms.

On Monday we……

discussion

talked about design

warping  frame looms

warped frame looms

weaving exercises

and completed several exercises.

By 10pm I had completed my first project and was ready to call it a day.

3 1/2" x 6"

Project 1 (3 1/2″ x 6″)

Recycle… Upcycle…. Fairs… and more…..

The past 30 days have been filled with projects coming to completion (deadlines are my friend!) with 2 major events this month: demonstrating weaving all day at the Saline Celtic Festival and co-chairing AAFG’s participation in the Ann Arbor Art Fairs.

Deadline:  Have the ‘Surround Sound Vest’ completed for display at the Saline Celtic Festival

Earlier this year I saw a portfolio case woven from recycled/upcycled VHS tape at Ten Thousand Villages in Ann Arbor. Ten Thousand Villages is a national organization focused on Fair Trade working with artisans in developing countries around the world. Ann Arbor has a ‘brick & mortar’ store on Main Street where I volunteer. The case had a wonderful sparkle but was rigid and that got me thinking…. ‘Could fabric suitable for a garment be woven with magnetic tape???’ Audio cassette tape immediately came to mind – it’s thinner/lighter weight and being a performing storyteller….. I have a LOT of cassettes that I’ve acquired over the years!! I had a sample warp on the small loom I use for demonstrations so I wound the magnetic audio tape onto a bobbin and gave it a try… it wove OK. I put the sample through the washer and dryer…. it came out OK!!! The fabric is a bit stiff so it would be best for outerwear. I decided to make a long vest with narrow panels that I can wear for performances.

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I used 10/2 cotton (purple) and 10/2 tencel (accent) for the warp (12 yards long – 8 1/2″ wide – 24 ends per inch) and began to weave using a simple plain/tabby weave structure.

audio casstte weft

Several days and 150 min of tape (3 cassettes) later….. I had only completed 60 inches = ARG….. 9+ yards to  go. This is taking a LOOONG time. Weaving with the magnetic audio tape is slower than using regular yarns because I had to make sure that each pick (shuttle pass) lay smoothly and did not kink before I beat it. I was getting 15-16 ppi (picks-per-inch). Plus I discovered when my first bobbin was finished and I moved on to the next cassette that magnetic audio tape comes in different colors!! Now began the adventure of finding cassettes that matched as I wanted the fabric color to be consistent. Time to rethink my project…. perhaps a full garment made of this isn’t such a practical idea after all. So…. into my stash I dove and found a wonderful purple rayon boucle that would be perfect to use for the rest of the yardage. I was able to complete the 9+ yards in the same amount of time it took to weave the first 60″.

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Off the loom, washed and dried I had 9 1/2 yards of fabric, 7 1/2″ wide = no room for errors!! I made a muslin prototype to verify fit and did a lot of measure twice (or 3… or 4… times!) BEFORE  I cut anything.

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Pattern: #1028 Artist Vest by Dana Marie Design, Co.

The selvages on the magnetic tape fabric were very rough so I used my serger to give a smoother finish to the edge. I used a cotton/polyester bottom weight fabric to make bias tape for the bands. Sewing the magnetic tape had challenges as the sewing machine needle caused some snagging when it hit the magnetic tape but I was able to carefully work the tape back into place.

And here’s the end result!

Last Roll - 01Last Roll - 10Last Roll - 03Last Roll - 06Last Roll - 07

‘Surround Sound Vest’ made her public debut on July 13, 2013 at the Saline Celtic Festival.

0713130859Celtic Fest crop

Her ‘Celtic’ experience continues with her ‘international debut’ in August when she’ll travel with me to Carmarthen, Wales where I’m taking a tapestry course by Alastair Duncan – part of the biennial summer school by the Association of Guilds of Weavers, Spinners, and Dyers in the UK.

So much fiber… but only so much space!

‘STASH’…. Webster defines it as “a secret store of something”. Fiber artists are famous (or infamous!) when it comes to our stash because you never know when you just might need that specific yarn, color or fabric. Granted… sometimes our houses do look like an episode of ‘Hoarders’ as the yarn, roving, fabric…. whatever our passion involves takes over our houses as most of us can’t afford to rent separate ‘studio’ space. My friend Jean had a loom instead of a dining room table. Others have taken over garages or basements and plastic bins are our friends.

For me… my looms have always been in the living room. They’re the first thing someone sees when they walk into my house. (What can I say…. it’s got great natural light and I get the fireplace!)

weaving room

Our daughter’s former bedroom….. is now my sewing room.

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One of the things I love about fiber artists is the sharing of our ‘stash’. When we realize we are not going to be using something we put it out there for other fiber folks to acquire. This way it can go on to have a new life… plus we all know we can now acquire more stash! So, when a fellow fiber artist decided to liquidate part of her stash, I was given the opportunity to acquire some beautiful wool roving for felting, in an amazing range of colors, at an excellent price… of course I jumped at the chance. As it turns out…. I now have 23 1/2 lbs of beautiful wool roving, in an amazing range of colors!! OK… now my challenge is where do I put it??? It’s taken me a week to organize it all into color bins (so I can find what I want) and rearrange (yet again) my basement storage but it is done!!

fiber storage

Now…. back to the fun work of creating!!